![]() ![]() This counteracts x-y shift as well as the more usual angular vibration, making it much more effective at very close range. The Tamron is sharper and has a more effective ‘hybrid’ image stabilizer. We’ve always found this Tamron lens to give better close-up image quality and all-round performance than Nikon’s pricier AF-S VR Micro 105mm f/2.8G IF-ED. See our full Nikon Z MC 105mm f/2.8 VR S review (opens in new tab).įirmware update required for use with Nikon Z-series cameras Image quality, all-round performance and handling are simply sensational. Everything’s wrapped up in a tough, weather-sealed construction. ![]() Handling exotica includes a multi-function OLED display, a customizable Lens-function button and control ring, plus an autofocus range limiter, along with an electronically coupled focus ring that enables ultra-fine adjustments. Sublime image quality for both general shooting and extreme close-ups is backed up by a super-fast and highly accurate autofocus system, along with highly effective optical VR (Vibration Reduction) that can work in tandem with the in-body stabilizers of Nikon’s full-frame Z-series cameras. There's also the cheaper Z MC 50mm f/2.8 (opens in new tab) which is a good lens, but this MC 105mm has a more practical focal length for macro photograhy and is a properly pro-grade lens - it's well worth the extra cost. Nikon’s MC 105mm is one of two new Z-mount macro lenses. For this reason, macro lenses are often useful in other contexts as well – their sharpness makes them good take-everywhere primes, their longer focal lengths make them handy for portraiture, and their ability to render detail makes them fantastic for food photography.Ĭosts 50 per cent more to buy than Nikon’s Z MC 50mm lens, but well worth the extra outlay You're going to be getting very close to your subject, so a short focusing distance is a must, and they also tend to be longer in focal length (the sweet spot is generally agreed to be around 90-105mm, though there are variations in both directions), as this again makes it easier to fill the frame with one subject. There are some other important requirements for macro lenses. This is the key to getting those spectacular, frame-filling images of minuscule subjects. For a lens to be considered a "true" macro lens, it needs to have at least a 1:1 reproduction ratio, meaning that the subject on the sensor plane is the same as or greater than its size in real life. While lots of lenses with decent close-up capabilities are referred to as macro lenses, there is actually stricter criteria to qualify as one. ![]() Best Panasonic lenses (opens in new tab).Best Fujifilm lenses (opens in new tab).The best camera lenses to buy (opens in new tab).It is available now at around $1,100 (USD). Externally, the lens has a focus hold button, a focus limiter switch, and a sliding focus collar to switch between AF and manual focus, and Sony claims that the body is dust- and moisture-resistant. Minimum focus distance is 11.0” (28cm) with a 1:1 maximum magnification ratio. The lens also has a Nano AR coating, optical image stabilization, a near-silent sonic-type AF system driving two “floating” focus groups for precision close-ups, and adopts an internal focus mechanism, so there’s no lens extension or rotation of the front group. Designed for Sony’s A7 full- frame mirrorless camera series but also compatible with APS-C size E-mount bodies (where it has a equivalent angle of view to that of 135mm), the 90mm f2.8 Macro G OSS features a complex optical design consisting of 15 elements arranged in 11 groups, and uses aspherical, ED and Super ED elements to combat spherical aberration and distortion, and to reduce color fringing (lateral CA). ![]()
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